Dec 7, 2010

Italy Italy

GLAS ITALIA

Atlantis tavoli bassi   Series of high and low tables obtained by glued thick tempered glass plates, cut with water jet and with 45° chamfered edge.



Atlantis tavoli bassi



Fiction

Fiction  Series of mirrors available in two different sizes, realized in extralight glass with degrading shaded silvering, hanging on the wall with a chromium-plated metal cylinder.

Dec 5, 2010

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Bruno Bruni
"Amanti"
1987
Original Lithograph in four colours,
printed from three stones onto Rives-Buetten
89 x 64 cm

Dec 3, 2010

FRANK MICHELS

Ataya Tea Service
Ataya Tea Service
Ataya Tea Service
Ataya Tea Service





Cletus Lamp


Cletus Lamp by Frank Michels from Frank Michels on Vimeo.

Dec 1, 2010

BEAUTY created by frost

Lithuania. Nida Seaside.
-10 and what we have today. (Photos made by NERINGA FM)




Nov 30, 2010

The Hollows

DOUG AITKEN
b 1968 in Redondo Beach, California (USA); 1986–1987 studied at Marymount College, Palos Verdes, CA; 1987–1991 studied at the Art Center College of Design, Pasadena, CA. Aitken lives and works in Los Angeles (USA). Aitken belongs to a generation of artist that enriched the presentation of the medium of video. Operating in a realm between popular culture and media art, his works reveal a wealth of audiovisual intensities and suggestive powers, and with complex imagery and associations consistently approach philosophical questions addressing nature and civilization as well as people and their relationship to time and space. Obsessed with the idea of present time, Aitken refers to his films and installations as being pure communication. In the process, he utilizes the vocabulary of Hollywood and advertising films. Alongside his freelance activities as artist and photographer, Doug Aitken is also known for his video clips, completed for artists such as Iggy Pop and Fatboy Slim.

Migration 2008
Migration 2008


Migration 2008






































Nov 28, 2010

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BRENT COMBER
Shattered Sphere
"I made all of my pieces from wood that I salvaged from demolition sites around Vancouver. My material now comes from several environmentally friendly sources. But while my wood choices are in keeping with the precepts of sustainability, this is incidental rather than intentional. I simply want to use wood that best suits my purposes: unprocessed wood with cracks, bark sinews, knots, and swirling and uneven grain patterns. This type of wood is not available from most commercial wood outlets, which generally stock clear, straight-grained wood. Instead, I visit mills, lumber yards and other sources to find cast-off wood in which the lumber industry has little or no interest. For me, this is authentic wood, wood with powerful character and capable of telling the strongest and most vivid stories."


Garrison
Garrison
Cedar Bud